G# altered | Theodore Kalantzakos, LLCM (TD)

The G# Altered (Superlocrian) Mode (7 Positions) – Guitar Scales and Modes Series – Free Video Lesson

Posted on September 14, 2012 by Theodore K

In this video Lesson Theodore K demonstrates the 7 Positions of the G# Altered (Superlocrian) Mode.

Download the score & the tab here:

Enter your email address to download The G Altered (Superlocrian) Mode - 7 Positions

This is part of The Modes Of Melodic Minor Scale – Guitar Scales And Modes Series tutorial.
Check this out here:

The Modes Of Melodic Minor Scale – Guitar Scales And Modes Series

Enjoy!

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Posted in Tutorials, Videos | Tagged 7 Positions, free video lessons, G# altered, modes, scales, Superlocrian | Leave a comment

The G# ALtered Mode (5 Boxes) – Guitar Scales and Modes Series – Free Video Lesson

Posted on February 11, 2012 by Theodore K

Hi my friends!

Lets get busy today with The G# Altered Mode (5 Boxes)!
Check out the following, free video lesson:

Download the score & the tab here:

Enter your email address to download The G# Altered Mode - 5 Boxes

If you can’t see the form above, please click here:

http://theodorekalantzakos.com/?p=1714

Check out The Modes Of Melodic Minor Scale – Guitar Scales And Modes Series (14 Free Video Lessons) tutorial here:

The Modes Of Melodic Minor Scale – Guitar Scales And Modes Series

Don’t forget to check out the “downloads” section!

http://theodorekalantzakos.com/downloads/

Enjoy my friends!

/Theodore K

www.theodore-k.com

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Posted in Tutorials, Videos | Tagged 5 boxes, free video lesson, G# altered, mode, scale | Leave a comment

The G# Altered Mode (5 Boxes)!

Posted on July 20, 2011 by Theodore K

Hi my friends!

In this tutorial, will see the G# Altered mode !

It’s the 7th mode of the A Melodic Minor and

it fits great over any altered dominant 7th chord!

The notes are:

G# A B C D E F# G#

and the interval spelling is: 1 b2 b3 b4 b5 b6 b7 8.

Download the FREE guitar diagram (pdf) from here!

Enter your email address to download G# Altered mode-5 Boxes.pdf

If you can’t see the form above, please click here:

http://theodorekalantzakos.com/?p=1318

Try it over any G# altered dominant 7th chord, such us G#7b5#9 or G#7#5#9!

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